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Ink, by Stefan Stenudd.

Texture
Ink and brush, 1990's.

There is something very attractive in the dramatic way the ink conquers the white paper, and the brush puts such life to the lines that one does, as an artist, only have to be present for things to start happening. Very present indeed, though.
    Most of these works could be called abstract, although there are often real objects or shapes that they have as sort of starting points. Not this one, though.


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