Spectacular backgrounds to superficial foreground
Review of Metropolisá(2001) movie, by Stefan Stenudd
The elements of the plot are easily recognized from a majority of anime films, especially the character who is unaware of his or her enormous inner potential and great destiny awaiting. Such a character is just about obligatory in anime, and one could elaborate on why. In this film it's a girl robot — of a very special kind — who is unaware of being a robot, and very reluctant to accept it.
There is a love story, a rather childish one, between her and a human boy. Sort of beauty and the beast, or for that matter Romeo and Juliet. Unfortunately, it is not explored at any depth, though it would have made the movie much more interesting at length.
Then there's also the Metropolis concept of a higher and a lower world, references to Dr Strangelove, and what not. A wonderful mixture of mythical and symbolical classics of the west, seen through Japanese eyes. That's all there, in the background. So the lack of foreground, of characterization and its development, is not that crucial.
9 January 2003
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STENUDD P┼ SVENSKA
I'm a Swedish author of fiction and non-fiction books in both Swedish and English. I'm also an artist, an historian of ideas and a 7 dan Aikikai Shihan aikido instructor. Click the header to read my full bio.