Bad start leads to lightweight end
Review of Swordfish (2001) movie, by Stefan Stenudd
He goes on like that — people die right and left, and he just wants to get custody of his daughter, so he's quite ready to help a sociopath predator get USD 9 billion to play with.
Also, it's really hard to see Hugh Jackman, who looks like an ad for an aftershave, as a hacker. Really hard, even when he hacks on the keyboard with FF speed.
They should have dared to let the hacker be a nerdish guy, which would have made him a much brighter contrast to the action going on around him, and they should have started the movie with him as a hacker with ideals, still living with his daughter.
They should have done a lot of things with the script, before starting to shoot it. Now, it's a mess, breaking apart wherever scrutinized. People jump in and out of character, if they have one to begin with, and the plot twists like a worm on the hook.
The DVD gives two alternative endings, just as meaningless and lightweight as the one in the movie. That should have alerted the movie makers. If they really don't feel how the movie must end, then something is wrong with the beginning.
Ignoring the story, one can still enjoy some shootouts and other fancy action stuff — and especially, Travolta's doubtless competence in creating a character, even when unsupported by just about everything around him.
8 January 2003
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I'm a Swedish author of fiction and non-fiction books in both Swedish and English. I'm also an artist, an historian of ideas and a 7 dan Aikikai Shihan aikido instructor. Click the header to read my full bio.