Aikibatto

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MIGI - turn.
Shoden 4
Shiho   MIGI
MIGI



MIGI Shiho   MIGI
  TORITORI UKEUKE
  MIGI - start.
Starting position. Tori at right, uke at left - for reasons of visibility - but in the text below, tori moves are in left column, uke in right.
1
Starting with bokken in belt, uke on forward right.
Starting in chudan kamae, sword drawn and held at middle guard, tori on forward left.
2
Step forward with right foot, into front of uke.
MIGI - turn.
3
Turn right foot and body toward uke, step with left foot forward, nuki tsuke draw.
Step forward with left foot, lift sword to jodan kamae, over the head.
MIGI - nuki tsuke.
 
MIGI - do.
MIGI - sword to side.
4
Slide further forward and to the left with the left foot, cut one handed do, side cut on waist level, body twisting sideways and sword continuing to a horizontal position near the body.
Step forward with right foot, chudan giri, cut to middle level, in the direction of tori's previous position.
5
Swing the sword around in a vertical circle up to jodan kamae. Turn body to uke, right foot to left foot.
MIGI - swing sword.
MIGI - jodan kamae.
6
Immediately after jodan kamae, right foot half step back and men, straight cut to the head.
MIGI - men.
7
 
Yield sword to migi no waki, right side guard.
Retreat three steps.
8
Slide right foot back, lower sword to gedan.
Left foot full step back.
MIGI - gedan.
9
Reverse right hand grip on the sword, flip the sword around, chiburi gedan, "shake off blood" downward.
MIGI - reverse grip.
MIGI - turn sword.
MIGI - chiburi.
10
Noto, sword back into scabbard.
Step back to the starting position.
MIGI - noto.
MIGI - noto.
  TORI: Stefan Stenudd UKE: Tomas Ohlsson

Stefan Stenudd

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Stefan Stenudd
Stefan Stenudd
About me
I'm a Swedish author and aikido instructor, 6 dan Aikikai Shihan, former Vice Chairman of the International Aikido Federation. I've practiced aikido for 40 years. I also teach the sword art iaido. In addition to fiction, I've written books about aikido and other Eastern traditions. Google Profile
More about me here.






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